There's a steep learning curve in these opening installments ... |
The initial episodes of Darker Than Black are divided into two-episode plot arcs that have Hei and his team obliquely referencing the Syndicate they work for, then chasing down things that that Syndicateand everyone elsewants. In the first arc, they're looking for a hotly contested cache of information about the Gate. In the second, it's the daughter of the last survivor of a Hell's Gate expedition; while he tried to keep her from it, she's become an out-of-control contractor. In the third arc, it's a former contractor who has lost her powers and who has a connection to Hei's one bit of personal business in all this noir-style object-of-desire chasing.
Slow reveals
Mystery series that set out to be coy about their central facts often fill a lot of time with repetition or silly comedy side plots. Darker Than Black doesn't bother with either: It tears straight ahead into a series of tightly focused stories that bring up information casually instead of making it the focus of the episodes. Still, there's a steep learning curve in these opening installments as more and more new concepts get thrown out: No sooner have the rules for contractors been established than the series is introducing exceptions to those rules.
The show is a bit of an exception to the rules itself: Stylistically, it feels like yet another late-generation descendant of Cowboy Bebop, with loose, hip semi-criminal protagonists, tight action sequences, a good ear for cool dialogue andnaturallya diverse score by Yoko Kanno. But unlike a lot of the wannabes, it also has a solid vision for itself that isn't just about style. The animation has an appealingly loose feel and a lot of texture; it is a sleek, chic series, no mistake. But more importantly, it has a lot of depth, which by the time of episode five is starting to feel almost novelistic, or at least like a Raymond Chandler film adaptation.Granted, it could still stand to slow down a little and actually introduce its characters properly, if only so the audience would have some stake in whether Hei wins or loses his battles. The first plot arc in particular isn't a hero's quest or a villain's plot so much as a sequence of all-but-random events. Hei, his opposition and his target are all so secretive and two-faced that by the end there's no telling who, if anyone, to root for. Possibly no oneDarker Than Black takes place in a fairly amoral universe, where virtually everyone with power may literally be inhuman. That tends to make it easy to stay detached from all the details of their inhumanity to each other. Still, finding out exactly what they are and why is more than enough reason to tune in for the next disc.






